S1E11 - Psycho (1960)
...do not expect to be admitted into the podcast after the start of each listen.
Transcript
It. Hello, I'm Philip Salon. I'm a film critic and author of the book 101 Films You Could See Before You Die. And this is off the Marquee, where we spend a minute with a movie you might consider revisiting to call Alfred Hitchcock's 1960 horror thriller hybrid, Psycho. A classic is an understatement, a masterpiece from a master filmmaker, psycho will be forever in Scott. In the history of cinema, psycho is the story of a lonely hotel manager named Norman Bates portrayed iconically by Anthony Perkins. Bates runs his family's motel, a moribun venture since a new highway system circumvented his sleepy stretch of road. One stormy evening, Bates rents a room to a lost and weary traveler named Marion Crane, portrayed by Janet Ley. What he doesn't know is Crane is on the run from a recent crime. In this scene, Bates describes to Crane his relationship with his mother. The discussion gives context to an iconic line of dialogue.
Speaker B:Think about it. She needs me. It's not as if she were a maniac, a raving thing. She just goes a little mad sometimes. We all go a little mad sometimes. Haven't you?
Speaker C:Yes. Sometimes just one time can be enough. Thank you.
Speaker D:After a shower, Crane goes missing. Her disappearance brings unwanted attention to the motel.
Speaker E:Crane is sought after by her sister Lila, portrayed by Vera Miles and a tenacious private detective named Milton Arbogast, portrayed by Martin Balsam.
Speaker A:In this scene, Arbogast is reluctant to believe Bates'befuddled explanation of the events that occurred that night.
Speaker B:Well, she was very tired and see, now I'm starting to remember it. I'm making a mental picture of it in my mind. You know, if you make a mental picturization of something that's right.
Speaker F:That's right. Take the time she was she was.
Speaker B:Sitting back there no, no. She was standing back there with a.
Speaker F:Sandwich in her hand, and she said.
Speaker B:She had to go to sleep early because she had a long drive ahead of her.
Speaker F:Back where?
Speaker B:Back where she came from.
Speaker G:No, you said before that she was sitting back.
Speaker B:Oh, I was standing, yes, but back.
Speaker F:In my parlor there.
Speaker B:She was very hungry, and I made her a sandwich.
Speaker F:And then she said that she was.
Speaker B:Tired and she had to go right to bed.
Speaker G:Oh, I see. How did she pay you?
Speaker F:Cash. Check? Cash.
Speaker G:And after she left, she didn't come back?
Speaker B:Well, why should she? Well, Mr. Arby asked. I guess that's about it. I got some work to do, if you don't mind.
Speaker G:Well, to tell you the truth, I do mind. You see, if it doesn't gel, it is an aspect this ain't gelling. Coming together. Something's missing.
Speaker A:The disappearance of Marion Crane drives the film to a shocking conclusion.
Speaker E:Psycho is a great movie to watch.
Speaker D:To evoke the Halloween spirit and a wonderful film to see with an audience. Psycho is screening in Memphis October 20 at 06:00 P.m at the Ellwood Cemetery. Eight two four South Dudley Street as part of the Cemetery Cinema series. I'm Philips Allen and this has been off the marquee. You're listening to 91.7 W yxr.
Episode Notes
Psycho (1960) is screening in Memphis at the Elmwood Cemetery: October 20th 6:00PM.
Read about the event on the Elmwood website: Psycho.
Billups Allen’s book 101 Films You Could See Before You Die is available through Goner Records. Off the Marquee on the web.